Israel
Yael Guilat
Nacida en Argentina, emigró a Israel en la década de 1970. Es Catedrática de Historia del Arte y Cultura Visual en Oranim Academic College, Israel. En 2015 fundó el programa de Investigación basada en el Arte (ABR) para Estudios Avanzados. Es co-directora de tesis en el programa internacional de doctorado de la Universidad de Granada. Desarrolla una amplia actividad de comisaría artística conduciendo exhibiciones en museos y galerías, como por ejemplo en el museo Ein Harod y el Museo Um-el Pahem junto a otros lugares en Israel y en España. Sus publicaciones tratan identidad y alteridad; encuentros interculturales en las artes; artivismo y craftivismo; género y transnacionalismo; arte feminista; memoria y conmemoración en el espacio público; arte y precariedad; paisaje lingüístico.
Ph.D. Art History (Tel Aviv University)
Artículos
- Guilat, Y. (En publicación). The Bereaved Daughter: Traces of Military Orphanhood in the Artwork of Israeli Women Artists. Israel Studies Review.
- Guilat, Y. (En publicación). Body, Ethnicity and Gender in Video Art Works of Three Mizrahi-Masorti Women Artists in Post-Secular Israel. Jewish Film and New Media.
- Guilat, Y. (En publicación). Re-reading Women Artists and Feminist discourse in the 80's in Israel. Israel Studies (Special Issue).
- Guilat, Y. & Waksman, Sh. (En publicación). Alive and Kicking: Memorializing the AMIA Bombing in the Public Space of Buenos Aires. History and Memory.
- García, A. & Guilat, Y. (En publicación). A/R/tography audiovisual narratives and the Photo Essay Methodology: Interrelation, Re-creation, and Learning. Roldán, J., Marín, R., Morimoto, K. & Irwin, R. (s.f.). Visual Methods, A/r/tography and Walking. UBC publishing and Granada University. [English, Español]
- Guilat, Y. (2020). ART MEMORY the case of AMIA Bombing Buenos Aires- A visual Cultural Perspective. Dvarim 13, 249-289. [In Hebrew]
- Guilat, Y., & Espinosa–Ramírez, A. B. (2020). Diachronic Examination and Interpretation of the Street-Signage Transformation in Granada, Spain, during the Transition to Democracy (1975–1983). S., Tufi & Malinowski, D. (Eds.). Questioning Boundaries, Opening Spaces: Reterritorialising Linguistic Landscapes, pp. 325-344. Bloomsbury Academic.
- Guilat, Y. (2019). Israeli-ness or Israeli-less? How Israeli Women Artists from FSU deal with the Place and Role of “Israeli-ness” in the Era of Transnationalism. ARTS, 8(4), 159. DOI 10.3390/arts8040159
- Guilat, Y. (2019). Home Sweet Home: The Domestic sphere in the contemporary Israeli Art as a space of intercultural encounters and conflicts. Cano, M. (Coord.). Encuentros Interculturales en Sociedades Multiculturales: Inmigración, Multilingüismo y Multiculturalidad. Colección Eirene, 44, 35-80.
- Guilat, Y. (2019). “Living Room” and “Family Gaze” in Contemporary Israeli Art: Comparative Perspectives on Cultural-Identity Representations. Israel Studies, 24(1), 24-53.
- Guilat, Y. & Abu-Roomi, F. (2019). We’re creating a reality and it’s changing us: Mentoring agency in ABR higher education in an(unequal) multicultured society. ABR/AR 6th Conference. UBC, Vancouver.
- Guilat, Y. & Arie, S. (2019). Becoming researcher in-Between: Formation of an Integrated Identity in A/R/Tographic Research. ABR/AR 6th Conference. UBC, Vancouver.
- Guilat, Y. (2017). Art in times of Precarity. Dvarim Interdisciplinary Journal, 10, 253-282. [Hebrew]
- Guilat, Y. & Espinosa, A. (2016). The historical Memory Law and its role in the redesign of the semiotic cityscapes in Spain: the case study of Granada. Linguistic Landscape An International Journal, 2(3), 247-274. DOI 10.1075/ll.2.3.03gui
- Guilat, Y. (2015). About the Body: Conversation with Sigalit Landau. Dvarim Interdisciplinary Journal, 8, 281-298. [Hebrew]
- Guilat, Y. (2015). Redefining the public space as a semiotic resource through Institutional Art events: the Bat Yam Biennale of Landscape Urbanism as a LL case study. Blackwood, R., Lanza, E. & Woldemarian, H. (Eds.), Contesting & Negotiating Identities in LL, pp. 163-179. Bloomsbury Publishing: London, England. DOI 10.5040/9781474295352.ch-011
- Guilat, Y. (2014). Gender, Ritual and Video Art. Me’ever la-halacha, Lyunim 7, [Hebrew]
- Guilat, Y., & Waksman, S. (2014). The Linguistic Landscape of Israel’s Military Cemeteries as a Field of Symbolic Contestation. Koll-Stobbe, A. & Knospe, S. (Eds.). Language Contact around the Globe, pp. 387–415. Greifswald: Peter Lang.
- Guilat, Y. (2013). Gender, Identity and Jewelry in the Context of the Oeuvre of Sarah Levi-Tanai. Teatron—An Israeli Quarterly of Contemporary Theatre, 3, 122–133. [Hebrew]
- Guilat, Y. (2012). Between Gush Halav and Bir’im: About place, identity and memory. N., Barzel (ed.). The Galilee as a Multicultural Place, pp. 26–38. Oranim Academic College of Education. [Hebrew]
- Guilat, Y. (2012). Motherhood and Nation: Women Artists in Israel Memorial Discourse. The Journal of Israeli History, 31(2), 283–318.
- Guilat, Y. (2011). ‘Mapping Landscape’: Imagery of Place and Territory in the Works of Israeli-Jewish and Palestinian Artists in Israel in Recent Decades. Oranim Academic Journal of Interdisciplinary Studies, 3, 70–81. [Hebrew]
- Guilat, Y. (2010). Silversmiths and Goldsmiths in the Melting Pot. Tehuda le-heqer Moreshet Yahadut Teiman, 7–19.
- Guilat, Y. (2009). The 1980's Generation in Israeli Art. Oranim Academic Journal of Interdisciplinary Studies, 2, 62–88. [Hebrew]
- Guilat, Y. (2006). The Yemenite Silversmiths and Goldsmiths in the Betzal’el Filigree Workshop. Et-mol, 186, 6–9.
- Guilat, Y. (2006). Her Rebellious Thread: the Path of Embroidery from the Realm of Women’s Crafts to the Mainstream of Contemporary Art. Motar, 14, 31–41. [Hebrew]
- Guilat, Y. (2007). The Judaica Turning Point and the Israeli Art Field. Mifne, Forum for Social Issues, 54, 37–43. [In Hebrew]
- Guilat, Y. (2006). Where were you when it happened? About women’s art, gender discourse and art criticism in the Ha’aretz daily newspaper in the 1990's. Israel 10, 195–225. [Hebrew]
Libros
- Guilat, Y. (2019). The Lost Generation: The 1980’s generation in Israeli Art. Ben-Gurion Research Institute.
- Guilat, Y. (2016). The Life and Oeuvre of the Silversmith Moshe Ben-David, From Bayḥān to the Israeli Melting Pot. Ben-Zvi Institute for the Study of Jewish Communities in the East, Yad Itzhak Ben-Zvi, Jerusalem.
- Guilat, Y. (2009). Yemenite Jewish Silvercraft in the Israeli “Melting Pot”: Yemenite-Jewish Crafts within the Emerging National Visual Culture in Israel, 1882–1967. Ben-Gurion Research Institute.
Catálogos de Arte
- Guilat, Y. (2022). Identities on Dispute. García, A. (Ed.) (Curator). 8th Muestra Internacional de Videonarración A/R/Tográfica. Granada, España. [English, Español]
- Guilat, Y. (2021). Text and Context: Interpreting Zadok Ben-David's Blackfield in the Royal Kew Gardens Environment in Zadok ben-David. Kew Garden Publishing. London, England.
- Guilat, Y. (2021). In the corner you can hear the paper speaking. Reflections on Lucy Elkivity exhibition: Behind the time. [Hebrew, English]
- Guilat, Y. (2020). Border Landscapes and Landscape Boundaries: On Elie Shamir's Boundary Series in Elie Shamir- Boundaries of Gaze. Herzliya Museum and Mishkan Museum of Art, Ein Harod [Catálogo]. [Hebrew, English]
- Guilat, Y. (2019). The Keeper of the Thorns: Reflections on the Works of Naomi Zach. Zach, N. (s.f.). Hanging fields, pp. 14-19. [Catálogo]. Tivon Gallery. [Hebrew, English]
- Guilat, Y. (2019). Tel Hai 80: Contemporary Art Meeting. Shaul (Tuli) Bauman. Works and life, pp. 21-31. [Catálogo]. Kibbutz Amir Publishing. [Hebrew]
- Guilat, Y. (2019). Utopia-Dystopia. García, A. (Ed.) (Curator). UTOPIC METHOD. 6th Muestra Internacional de Videoartographico. Granada, España. [English, Español]
- Guilat, Y. (2018). International Video Artographic Exhibition, Crossing Countries and cultures. García, A. (Ed.) (Curador). 5th Muestra de arte contemporaneo La Victoria, ARTESUR, pp. 100-118. [Catálogo]. Córdoba, España. [Español]
- Guilat, Y. (2017). Body-Space: Boundaries and Identities in New Works by Fatma Shanan. Lurie, D. (Curador). Fatma Shanan- Works 2007-2017, pp. 8-11. [Catálogo]. Tel Aviv: Tel Aviv Museum. [Hebrew, Arabic, English]
- Guilat, Y. (2017). Venus Palestina. Guilat, Y. (Curadora). Fatima Abu Roomi, Venus Palestina, Works 2013-2017, pp. 11-24 [Catálogo]. Umm el-Fahem Art Gallery. [Hebrew, Arabic, English]
- Guilat, Y. (2017). What does ABR stand for?. Graduate Exhibition Catalog, pp. 6-9. Multidisciplinary program in Humanities and the Arts, Oranim Academic College of Education. [Hebrew, Arabic, English]
- Guilat, Y. (2017). Nuestros ritos. Guilat, Y. & Espinosa, M. (Eds.). Nuestros propios ritos y rituales: nueve artistas de Israel, pp. 9-20 [Catálogo]. Granada: Universidad de Granada, Casa de los Tiros, IPAZ. [English, Español]
- Guilat, Y. (2017). Troubles in the Urban Space: Remarks on Zadok Ben-David’s People I Saw But Never Met: Tracking Humanity. Zadok Ben-David Oeuvre, pp. 230-238. Circa, London.
- Guilat, Y. (2017). Shadow Sculpture. Zadok Ben-David Oeuvre, pp. 14-19. Circa, London.
- Guilat, Y. (2016). About the hanging totems of Noga Inbar. Gur, D. & Raphael Segal, R. (Eds.). Bibliology, pp. 172-180 [Catálogo]. Petah Tikvah: Petah Tikvah Museum of Contemporary Art. [Hebrew, English]
- Guilat, Y. (2016). Three remarks and one conclusion about Asnat Austerlitz’ Dictionary. Austerlitz, A. Dictionary, Artist's Book, pp. 9-33. Mipa'l Hapays. [Hebrew, English]
- Guilat, Y. (2015). The Masada Series: Ethos and Myth in the Early Works of Elie Shamir. Barthos, R. (Ed.). Eli Shamir: early works, pp. 115-125 [Catálogo]. Ramat Gan: Ramat Gan Museum. [Hebrew, English]
- Guilat, Y. (2015). Carpets as Arenas of Action and Creation On Fatma Shanan's Work Processes. Blumenson, C. (Ed.). Fatma Shanan, A Single Continuum, pp. 82-88 [Catálogo]. Umm el- Fahem Art Gallery. [Hebrew, English]
- Guilat, Y. (2014). The letters which were not set on fire. Rabinowitz, R. In the present, pp. 122-123 [Catálogo]. Tel Aviv: Beit Haomanin. [Hebrew]
- Guilat, Y. (2014). Biennale of Landscape Urbanism in Bat Yam: Interventions in the City through the Lens of the Linguistic Landscape. Gur, D. & Cohen, H. (Eds.), The Museum: Manual of Using, pp. 90-113. Tel Aviv: Petach Tikva Museum of Art & Resling Publisher.
- Guilat, Y. & Reichman, A. (2014). Conversation. Reichman, A., 1200 KG Dirt, Solo Exhibition, pp. 5-9 [Catálogo]. Petah Tikva: Petah Tikva Museum of Art. [Hebrew, English]
- Guilat, Y. (2012). Motherhood in Conflict: Art, Bereavement and Loss in War. Shachnay, M., Void and Memory (Halalei Zikaron), pp. 14-19 [Catálogo]. Rishon Letzion. [Hebrew]
- Guilat, Y. (2012). The Journey of David Wakstein from the Middle East to New Jersey. Middle East Center for the Arts (MECA) 2012 Website. [English]
- Guilat, Y. (2012). Fatima Abu Roomi: Defiant and Persistent. Hason, R. (Ed.), Fatima Abu Roomi: Between Sorrow and Beauty, pp. 4-8 [Catálogo]. Jerusalem: The L.A. Mayer Museum for Islamic Art. [Hebrew, English]
- Guilat, Y. (2011). Inside Outside: On Ruti Helvitz’s exhibition at the Nahum Guttman Museum. Erev Rav, An Internet magazine for art, society and culture.
- Guilat, Y. (2011). An Artist in Long Johns: Childhood in the Kibbutz and the Question of Intimacy, Idit Levavi Gabbai’s Oeuvre. Sha’at ha-hitbaharut (Hour of Elucidation), Idit Levavi-Gabbai Exhibition Catalog, pp. 126-137. Ein Harod Museum. [Hebrew, English]
- Guilat, Y. (2009). Zel Zah: On the Humanism of Zadok Ben David’s Shadow Sculptures. Human Nature—Zadok Ben David Exhibition Catalog, pp. 25–35. Tel Aviv: Tel Aviv Museum of Art. [Hebrew, English]
- Guilat, Y. (2006). Tvila: A Video Installation by Shuli Nachshon. Tvila—Shuli Nachsho, pp. 17-21 [Catálogo]. Tel Aviv: Gal-On Art Gallery. [Hebrew, English]
- Guilat, Y. (2006). David’s Botega, Freedom. Wakstein, D., Drawing Team, pp. 10-15. Omanut La’am Publishers.
- Guilat, Y. (2006). In the Wake of Belu-Simion Fainaru’s ‘Nuptials—In the Image of God. Alexander, D. (Ed.). Nuptials—In the Image of God, pp. 39–44 [Catálogo]. Haifa: WIZO Academy of Design and Education. [Hebrew, English]
- Guilat, Y. (2005). Bidding Farewell: Israeli Culture of the 1980s, Ilana Tenenbaum, Check-Post Art in Israel in the 1980s. Haifa Museum of Art, 2008, pp. 19–24. [Hebrew, English]
- Presidencia (2021-Actualidad). Asociación para el Arte de la Mujer y la Investigación de Género en Israel.
- Jefatura por 6 años (2012-2015). Programa Multidisciplinario de Posgrado en Humanidades y Artes, Oranim College.
- Jefatura por 10 años (2004-2014). Instituto de Arte, Oranim College.
